More interesting, though, are the connections to a broader cultural lineage. With its insistence on courting the gaze of a specifically black audience, with its sinuous mix of horror and racial commentary, Bush and Renz’s project of course earns comparison to Jordan Peele’s Get Out, a phenomenon whose global success can safely be credited with making the green-lighting of projects like Antebellum much more viable to begin with. This is in part a credit to Antebellum’s amalgam of influences, which are perhaps the most intriguing thing about it. But as the above suggests, the terror of enslavement, particularly as experienced by black women, is the movie’s prevailing subject, and so is much of what you might expect to accompany that well-trod ground, including white American rage and a discomfiting desire to relive the past.
The movie, which stars Janelle Monáe as professor Veronica Henley, is far from entirely set on a plantation this is a criss-crossing narrative with some surprises up its sleeve.
Suffice it to say Antebellum’s plantation scenes are some of its weakest. The tracking shot ends, but the scene doesn’t: We have a violent separation and heartless murder yet to witness, the horrifying creep of a noose-like lasso to watch tighten itself around a neck in exaggerated slow motion. The big house, wide fields, the blood- and tear-streaked crops, the vicious plantation beauty. The proud march of Confederate soldiers the gendered dehumanization of enslaved black people in chains. This is the kind of movie that makes a point of throwing its audience, to say nothing of its characters, into the deep end.Īnd so, in the disconcertingly smooth and showy tracking shot that opens the movie, we’re treated to American chattel slavery’s greatest hits, the summarizing details spilling out onscreen like a neat cascade of bullet points. There is nothing more surreal than seeing a familiar face or place from television in real life.Gerard Bush and Christopher Renz’s Antebellum begins where you can rightly expect a film with a title this brash to begin: on a plantation.
NAME OF THE PLANTATION IN THE MOVIE ORIGINAL SIN TV
The swamps of New Orleans located near Destrehan are as ominous as they are stunning, adding to the backdrop of many of your favorite TV shows and movies! Epps Barn was created using a Mule Barn on the property. In more recent cinematic history, the powerhouse period drama, 12 Years a Slave had scenes filmed at numerous plantations, including Destrehan.
So, what are you waiting for? Discover the 5 Most Popular New Orleans Plantations Featured in Film and book an incredible New Orleans Plantation Tour, today! Revered for their beauty, elegance, and historical value, these properties have become key destinations for travelers, historians, and perhaps most interestingly, the film industry.ĭozens of popular films have been shot utilizing the sights and sounds of the plantations for both historical legitimacy and down-home elegance. Situated west of the city along the mighty Mississippi River, Plantation Country is home to some of the nation’s few remaining plantation estates. Perhaps the most intriguing element of New Orleans is the historic, Plantation Country. Paired with a stunning countryside, one part rolling hills and one part swampland, the scenic beauty of the, “Crescent City” is unmistakable. New Orleans, Louisiana, is home to some of the most spectacular displays of art, architecture, and design, that the modern world has to offer.